The Melbourne Symphony Orchestra has extended the tenures of two of its most popular figureheads until 2028.

Anderszewski finds new directions on a well-trodden pianistic path.

Iceland's Víkingur Ólafsson takes us through Bach’s “solar system” of magic, beauty and breathtaking mathematics.

Like his silent comedy hero Buster Keaton, pianist-composer Ashley Hribar prefers to work without a safety net.

Do your violin-inclined kids need a little encouragement to get into some serious practice?

Another survey of the Schmidt symphonies: great music finally getting its due.

Mind-blowing, once in a lifetime Gurrelieder show ticks all the boxes, and then some.

French researchers are using X-rays to unlock the secrets of Niccolò Paganini’s famous violin, "the cannon".

The SSO’s Principal Guest Conductor strives to create a transformative experience in every concert he designs.

Whether you are an avowed minimalist or a devil-may-care, cram-it-all-in maximalist, Limelight’s April edition will have something for you.

A historically informed reading, performed on historically informed instruments, this was the Emperor in magnificent old clothes.

Ahead of Omega Ensemble's Australian premiere of her new work, composer Jessie Montgomery tells Limelight about life and work post-Grammy.