Gender and racial imbalance in orchestra repertoire growing worldwide
"Inaction equates to complicity": Orchestras move even further away from equal representation, as shown by the latest analysis from Donne, Women in Music.
"Inaction equates to complicity": Orchestras move even further away from equal representation, as shown by the latest analysis from Donne, Women in Music.
The revered Canadian pianist to focus on Bach, Mozart, Handel and Brahms in her first visit since 2017.
Dmitri Tcherniakov’s Berlin Rheingold enthrals and occasionally frustrates.
Jonathan Cohen explores an 18th-century work that speaks to 21st-century hearts and minds.
Last minute substitutions, lineup changes and a broken string but SXS triumphed over the odds.
If maximalist post-genre baroque is your thing, then Kym Alexandra Dillon's SPIRITS is a work for you.
ASO's She Speaks program delivers a magnificent celebration of music by women composers that asks: why we don't hear this music more often?
That was the question on improvising violinist Xani Kolac's mind before she played her set at Berlin's Classical:NEXT.
Orli Shaham’s attractively fresh, singing approach to Mozart merits attention.
David Elton and Joseph Nolan, masters of their respective instruments, deliver a barnstorming concert of trumpet and organ.
More sophisticated chill from composer/pianist Amy Rita.
Six young Australians will receive mentorship and performance opportunities at some of the world’s leading opera houses and companies.
Busoni’s magnum opus makes it to the screen at last.