A laudable theatrical-musical experiment in presenting the classics but this was the very definition of a mixed bag.

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We talk with musicians and medical experts to investigate the movement disorder that can end a musician’s career, and the search for a cure.

Christos Tsiolkas explains why he felt compelled to put his fear aside to co-write the libretto for Watershed: The Death of Dr Duncan.

As he prepares for the Australian Festival of Chamber Music, baritone Roderick Williams talks how he became “the go-to guy” for English song.

Music in the Regions heads for Broken Hill to present William Barton and Véronique Serret’s Heartland.

Lachlan Skipworth has always enjoyed writing for the flute. His new concerto was written especially for WASO's Principal Flute, Andrew Nicholson.

Liza Lim unveils three world premieres in Australia in the coming months. She unpacks them and explains why she sees artists as “antennae”.

Classical pianist and author Simon Tedeschi reflects on the power of art, inspired by Ralf Yusuf Gawlick’s 2022 oratorio O Lungo Drom.

A sublime new recording of Handel’s Theodora, recitals from Véronique Gens, Roderick Williams and Michael Spyres, and a Russian blockbuster from Sir Antonio Pappano.

Patti LuPone, Roderick Williams, Christos Tsiolkas, Benjamin Millepied ... stars from various firmaments are out in force in Limelight's June issue.

Arcangelo's Theodora soars above all other accounts of Handel's masterpiece.