MSO and LSO Live partnership bears first fruit
The first recording on the Melbourne Symphony Orchestra's own label is an international showcase for soprano Siobhan Stagg.
The first recording on the Melbourne Symphony Orchestra's own label is an international showcase for soprano Siobhan Stagg.
Renowned for his insightful conducting and unwavering dedication to the art form, Davis' death has sparked an outpouring of tributes.
The centenary of Puccini's death gives creatives the chance to reflect on what makes his operas so special and explore new ways to stage them.
Umberto Clerici conducted his first concert in 2018. Four years later, he was Queensland Symphony Orchestra's Chief Conductor. How did he do it?
What makes a child prodigy ? We talk with some former Wunderkinds and artistic directors about how to nurture musically gifted children.
Ross Edwards tells Maddy Briggs about his new hour-long work, inspired by Monteverdi, which grapples with our looming ecological crisis.
Opera Queensland is on a mission to take opera as far afield as possible and change the way it’s perceived.
Norwegian virtuoso Tine Thing Helseth always knew she wanted to be a trumpet soloist and find her own distinctive voice – as Melbourne audiences will discover when she plays Weinberg’s Trumpet Concerto.
The conductor/pianist reflects on his 10 years as Artistic Director of the Canberra International Music Festival.
Berlioz’s employer’s daughter turns out to be a first-rate composer.
A Frenchwoman’s resurrected Faust is Recording of the Month alongside an opera-fest that includes Kaufmann’s Parsifal. Smetana, Stravinsky, Debussy and Rózsa also feature.
A rich, nuanced and detailed survey of Edwards’ music for choirs.
The “merry month” in the northern hemisphere, May is a “busy month” here in Australia. The upcoming edition of Limelight is proof of it.