Perth is hosting Australia's first chamber festival devoted to music by women, with much of it being aired for the first time. But the real test, argues musicologist Stacy Olive Jarvis, lies in whether anyone performs it again.
A richly rewarding cross-cultural journey that resonates on many levels.
Siobhan Stagg’s Chamberfest is a magnificent celebration of art song and the power and importance of music.
In a technically flawless and tasteful recital, Lewis sets Mozart’s piano sonatas among composers who owe him more than they might seem to.
A new work by Miriama Young takes flight, Andrea Lam delights and Mendelssohn’s fourth sparkles.
Uchida’s leave-taking of the last sonatas is magisterial.
James Ledger’s new Clarinet Concerto dazzlingly premiered; Rachmaninov's Second superlatively delivered.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
As she returns to Australia, Siobhan Stagg talks curating this year's Chamberfest and the recital programs in store.
Opening with Beethoven’s Ninth, the West Australian Symphony Orchestra accentuates the positive.
Chamber music, opera, cabaret and virtuoso recitals enliven a weekend in the hills of north-eastern New South Wales.
Two national tours, two festivals and some curious collaborations – ASQ's master plan for fostering "connection and discovery" in 2027.
Limelight subscribers are invited to nominate the three Australian and three international artists who have most inspired and entertained you this year.
