Challenging on many levels but always beautiful, vivid and brilliantly sung.

Soprano Helena Dix’s performance in Strauss’s glorious Four Last Songs shines alongside a condensed and dramatic Ring Cycle.

Ahead of his tour with the Australian Brandenburg Orchestra, Italian baritone Renato Dolcini reflects on his passion for Baroque music and his collaboration with William Christie.

The pianists, mostly British, performed these unfamiliar, challenging works with extraordinary discipline and flair.

An unforgettable Australian night of opera inspired by the landscape and spirit of the outback.

As the festival moves to Cairns, the new grants will support regional touring and the invitation of international artists through a tourism initiative.

Bychkov and his Prague forces prioritise history over histrionics.

Each piece in cellist-composer Hilary Kleinig's colourful solo debut is a star in its own right.

The collaboration aims to highlight how classical music can thrive online with an "accessible, creator-led and community-driven" approach.

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Eddy Chen and Brett Yang have become YouTube sensations as TwoSet Violin, taking classical music to new audiences through their tongue-in-cheek videos.

Ahead of her title-role debut in Opera Australia’s The Merry Widow, soprano Emma Pearson tells us why operetta deserves pride of place alongside opera.