This month's features explore the magical appeal of A Christmas Carol, the challenges facing our cultural sector and why soprano Siobhan Stagg is in such demand. We also reveal the 2022 Limelight Artists of the Year.
In its Australian debut, the sax quartet, with violin, performs a seamless program of Bach, Weil and Gershwin, showcasing an exemplary sense of balance, clarity and tone.
Composers Matthew Hindson and Novak Manojlovic discuss how growing up in Wollongong has shaped their music, and describe their new works, commissioned for WollCon's anniversary.
Cameron Lam explores the latest online releases and re-releases in this month's Australian Art Music playlist.
From Adams and Crumb to Boulez and Björk, there's new music galore with 67 musicians acing 180 events in ANAM's 2023 season. When pressed, AD Paavali Jumppanen adds his top 5 picks.
The Sydney venue’s 2023 season launches its Australian-first immersive sound system with a lineup featuring Peaches, Deborah Cheetham, Paul Grabowsky, Emma Donovan and Krautrock legend Michael Rother.
Sydney Chamber Choir’s Artistic Director is a devotee of German classical music. He digs deep into the work of Bach and his compatriots as he prepares for the Choir’s exploration of the German baroque.
Leah Curtis introduces her work Infinite Possibilities, which maps and illuminates new sound worlds, ahead of its world premiere by Canberra Symphony Orchestra.
With music performed by Elena Kats-Chernin, Sydney Philharmonia Choirs and Taiko drummers, choreographer Paulina Quinteros has fashioned a genre-defying display that deserves more than one viewing.
Pianist Jonathan Biss demonstrates dignified introspection in a fine Beethoven concert that also features the Australian premiere of Brett Dean's Gneixendorf Music, a Winter’s Journey.
Flautist Eliza Shephard walks away with $30,000 in prizes, two professional engagements, and becomes the ABC Classical Artist in Residence.
Announcing a new postgraduate program for 2023, Words, Text, Voices, Music, the Sydney Conservatorium of Music will halt its successful Composing Women program for the foreseeable future.
As he prepares for Sydney Symphony Orchestra’s upcoming People’s Choice and Fidelio concerts, Concertmaster Andrew Haveron talks to us about exploring new territory in the world of opera.
