Review: Studio Sessions 1 (Queensland Symphony Orchestra)
Quirky local works showcase the QSO’s brass and percussion sections.
March 14, 2022
Review: Kevin Puts: Silent Night (Minnesota Opera, Courtney Lewis)
First world war opera captures hearts and minds.
March 14, 2022
Review: Asher Fisch Conducts The Rite of Spring (West Australian Symphony Orchestra)
In its latest concert, WASO delivered crowd-pleaser after crowd-pleaser, and gave each a masterful performance.
March 13, 2022
Introducing the April 2022 issue of Limelight
Our April features explore the new Cobar Sound Chapel, a documentary about luthier Harry Vatiliotis's last violin, musical arrangements in the past and today, and the joy of walking and its link to creativity.
March 11, 2022
Seventh round of RISE funding announced
The 91 recipients of the latest, and probably final, round of funding include City Recital Hall, Darwin Festival and State Opera South Australia for an interstate tour.
March 11, 2022
Beyond the Requiem with Brett Weymark and Jessica Wells
A conductor and composer map out a journey through Mozart's final masterpiece for Sydney Philharmonia Choirs.
March 11, 2022
Review: Thomas Larcher: Symphony No 2 ‘kenotaph’, Die Nacht der Verlorenen (Andrè Schuen, Frankurt Radio Symphony Orchestra, Hannu Lintu)
Drowned refugees receive fitting and angry musical memorial.
March 11, 2022
Opera Column: The role of author intent in staging the operatic canon
Should Victorian-era melodrama give way to deeper explorations of the author's intent in staging legacy operas?
March 10, 2022
Review: Camille Saint-Saëns: Works for Piano (Antony Gray)
Gray presents a broad survey of Saint-Saëns’ secondary works.
March 10, 2022
Supported by 
Andrew Haveron on Sydney Symphony Orchestra’s Autumn Season
After a very long time away, the Sydney Symphony Orchestra’s Concertmaster returns to the stage this month for the Orchestra’s Autumn Season.
March 9, 2022
Review: Konstantin Shamray & Australian String Quartet (Musica Viva/Adelaide Festival)
In a last minute addition to this year's Festival, Shamray and the ASQ gave an eloquent and refined performance.
March 9, 2022
Omega Ensemble announces 2022 CoLAB composers
Five new composers enter the CoLAB for its second year.
March 9, 2022
Review: Saint-Saëns: La princesse jaune (Judith van Wanroij, Mathias Vidal, Orchestre National du Capitole de Toulouse, Leo Hussain)
Saint-Saëns’ narcotic-laced rarity charms despite dubious depiction of the Orient.
March 9, 2022