As the world resets, Tognetti makes a compelling statement about the fragility of life on Earth in this concert with striking video imagery.

This fine concert featuring chamber arrangements of works by Wranitzky, Mozart and Beethoven provided a taste of live performances before the dawn of recorded sound.

The AFCM’s Festival Finale was a fitting conclusion to the festival, with a pot-pourri of diverse musical pieces to suit all tastes.

An eclectic and quirky mix of musical gems and songs from film scores, offering both serious and light-hearted works, with many delightful moments.

The program’s promise of ‘music out of the blue’ delivered an overwhelmingly melancholic view of the beauty of music, inspired by the power of the oceans.

Simone Young uncovers the hidden beauty of Brahms' German Requiem in this exquisite performance featuring Emma Matthews and Bo Skovhus.

A beautifully realised Baroque program with two stunning oboe concertos.

The Kanneh-Mason family are a must-see – and you could well be part of musical history-in-the-making by being there.

Elena Schwarz led the TSO and mezzo-soprano Dimity Shepherd in an immersive concert that transported its audience to another world.

Baroque music is far from being "all the same", as some believe, says Sally Melhuish, who writes here about the new styles and genres in Spanish Baroque music.

Genevieve Lacey and Marshall McGuire won Best Independent Classical Album for Bower, while Hiatus Kaiyote took home Best Independent Jazz Album for Mood Valiant.

The MSO’s Chief Conductor discusses Stravinsky's The Firebird, Petrushka and The Rite of Spring as his August concert program gets underway.