Review: Paul Hindemith: Symphony ‘Mathis der Maler’, Nusch-Nuschi-Tanze & Sancta Susanna (Vienna Radio Symphony Orchestra, Marin Alsop)
A stunning juxtaposition of naughty and nice Hindemith.
A stunning juxtaposition of naughty and nice Hindemith.
Though this new work didn't entirely land, it's a bold, interesting and important experiment.
Holden rounds-up Glorious John in ten essays, the legendary ABC tours and all.
Ahead of the SXS 2022 season launch, Tania Frazer and Chris Williams talk about commissioning works for didgeridoo and chamber ensemble, and teaching composers how to write for the instrument.
This month's features explore electric instruments in classical music, and women and sexual violence in opera. We also interview Paavali Jumppanen, Artistic Director of ANAM, and explore Halévy's grand opera La Juive.
Two breaths of fresh air launch Omega on their hopefully calm and prosperous 2022 voyage
Horn virtuoso Ondřej Vrabec dazzles again, this time with strings.
Sally Melhuish, Artistic Director of Salut! Baroque, shines a light on Portraits of Marianna Martines, Elisabeth Jacquet de la Guerre and Maddalena Casulana.
This dazzling debut from Jeanine de Bique will have you wanting more.
When Aaron Wyatt steps on stage tonight to conduct Deborah Cheetham's Long Time Living Here for the MSO, he will be the first Indigenous person to conduct one of Australia's state orchestras.
Bohemian fantasies beguiling transformed by Camerata Zürich.
George Crumb’s death at the age of 92 is an immeasurable loss for the arts. A composer with an extraordinary talent for finding new sonorities, colours, and sounds in his haunting works, his titanic impact on music in the twentieth century is still felt even now.
Finnish composers escape from Sibelius' shadow to strut their stuff.