Review: Handel’s Rome (Australian Brandenburg Orchestra)
An emphatic, energetic start to a new year with the first subscription concert for 2021.
An emphatic, energetic start to a new year with the first subscription concert for 2021.
Kathryn Stott unveils her final program as Artistic Director, postponed after the cancellation of the 2020 festival.
The great Dane gets a new outing.
The work is the brainchild of baritone Joshua Hopkins whose sister was murdered in 2015.
Musicians Simone Slattery and Gabriella Smart have created aural responses to the Clarice Beckett exhibition at the AGSA, leading to live performances and a recorded soundscape in the Gallery.
The media executive and composer reveals the myriad threads weaving through his program for Adelaide Festival's Chamber Landscapes at UKARIA.
Carmen Giannattasio makes an impressive Opera Australia debut in John Bell’s dramatic production.
SXS's season opener with Slava Grigoryan proved an amiable, enjoyable concert with a fascinating new work for guitar and chamber orchestra by Natalie Nicolas.
Lise Lindstrom will play Brünnhilde in the first two cycles, while Australians will make role debuts as Brünnhilde and Wotan.
Freeze Frame Opera presents an operatic Play School and has a whale of a time.
The Met comes up with a neat, COVID-safe solution.
The Queensland Symphony Orchestra’s first Maestro Concert for 2021 was a sure-fire winner, perfectly delivered.
Features this month explore the redevelopment of Adelaide's Her Majesty's Theatre, Margaret Sutherland's Violin Concerto, Andrew Ford's Red Dirt Hymns project, and the musical Hamilton.