The centrepiece of the Adelaide Symphony Orchestra's 2021 season, Part 2, is the ambitious, new Festival of Orchestra in November/December.

The French horn maestro talks about his Musica Viva tour and all things horn.

WASO treated audiences to a warm, colourful program showcasing the sonic range and artistry of Latin American orchestral works.

The concert from The Song Company, which features a new arrangement of Gavin Bryars' minimalist classic, Jesus' Blood Never Failed Me Yet, is fascinating acoustically and visually.

This compelling, thought-provoking program was given a truly engaging concert by the Sydney Symphony Orchestra under conductor Fabian Russell.

The composer tells us about his new work, which was commissioned by Mark Wakely in loving memory of Steven Alward.

The Sydney and Melbourne Symphony Orchestras have both posted healthy surpluses for 2020 despite the considerable challenges faced due to COVID-19 restrictions.

Phillip Scott responds to our article Do Our Arts Reflect Us? and argues against looking at classical music programming through the prism of 21st-century ideas of diversity and gender equality.

Now into its 36th year, the Australian String Quartet continues to evolve, develop and re-energise the genre, as it shows in this impressive concert.

This year's brilliantly programmed and performed Coriole Festival showed that Australian music is indeed alive and well.

The vocal chamber work is based on the friendship of botanist Vera Scarth-Johnson and Guugu Yimithirr man Tulo Gordon, and involves Tulo Gordon's nephew Derek Rosendale.

The University of Queensland Music School reaches a new height of achievement with its performance of Beethoven’s glorious Symphony No 9.