Review: French Connection (Phoenix Collective)
Three French works – only one familiar – in a relaxed but highly energised chamber concert.
Three French works – only one familiar – in a relaxed but highly energised chamber concert.
Guest violinist Johan Dalene's tempestuous virtuosity on thrilling display alongside Jennifer Marten-Smith's shimmering pianism.
The Tasmanian chamber ensemble has announced the release of three albums this year, including the recorded version of Katie Yap's Multitudes.
AMQ brings "longtime friends" James Wannan and Miles Mullin-Chivers into the ensemble.
The Artistic Director of the Australian Brandenburg Orchestra talks about the "hidden gems" in his program for Baroque Unleashed.
Prolific, multi-skilled and an innovator, it's not hard to imagine baroque composer George Philipp Telemann succeeding in the music business today.
A thoughtfully put together portrait album by a fine singer.
Cameron Lam’s monthly Australian Art Music playlist explores preludes, dawn, and the moment of reflection before a journey, featuring music across Classical, Jazz, & Sound Art.
Composer Erik Satie, jazz singer Lisa Simone, clarinettist Michael Collins, a deep dive into a brand-new Carmen, and a Broadway hit about a 16-year-old going on 70. Limelight's July issue is essential reading.
Australia crowns Beethoven king of the keys (again) as the 'Emperor' Concerto takes out this year's piano-centric poll.
The Song Company shines in a cleverly assembled collection of songs by Baroque masters and contemporary Brits.
The devil – and more – in the detail in a spooky program featuring Bernard Herrmann's still-impactful Hitchcock score.
Adès suites: alternately shocking, magic, and a hell of a lot of fun.