Classy accounts reveal rarities deserving a more permanent place in the repertoire.

Few bodies of music concentrate so much expressive power into so little space as Bach’s motets. Bach Akademie Australia's Madeleine Easton explains her approach.

The Hansen Little Foundation has ensured the Musica Viva program will continue in 2026 after its Creative Victoria funding was discontinued.

Deep dives into Purcell's London, a cello genius unearthed, and an exploration of Greek, Ottoman and Persian music are among this year's highlights.

Jasmin Wing-Yin Leung, Thea Rossen and Jacques Emery are among the finalists showcasing the breadth and ambition of Australia’s artists.

Emerging composer Jessie Leov represents Australia at the festival, with two more works by Australian-born composers in the lineup.

Olli Leppäniemi, Lerida Delbridge and Robert Smith have all earned permanent positions within the Sydney Symphony Orchestra.

The Australian Festival of Chamber Music commissions US-based composer Sam Wu to create a major new work celebrating the 150th anniversary of Cairns-Gimuy.

A solo recital debut well worth the wait from an exciting French soprano.

This month, Cameron Lam’s first Australian Art Music playlist on Bandcamp showcases 13 pieces, new and old, from across local Classical, Jazz, and Sound Art.

A resident company since 1971, the WNO falls foul of the Trump-Kennedy Center's new rules on funding.

Luisi and the Danes revel in the detail of Scriabin’s vision.