In the 2019-2020 seasons of 15 of the world’s top orchestras, only 3.6 percent of music was written by women, according to soprano Gabriella Di Laccio's DONNE, Women in Music project.
The Australian mezzo discusses the wide-ranging repertoire she'll be performing at this year's Australian Festival of Chamber Music.
Nicholas Carter couldn’t be happier with the way the ASO has nurtured and developed his career. But as he tells Jo Litson, with a new position in Austria, and other exciting international offers in his calendar, it’s time to put down the baton as Adelaide’s Principal Conductor.
Australian String Quartet violist Stephen King on making music part of everyday culture, playing in the dark, and the acoustic properties of a skateboard half pipe.
The Chinese pipa virtuoso talks to Limelight about playing with Yo-Yo Ma for the Clintons, working with composers Tan Dun and Ye Xiaogang, and collaborating across musical cultures.
Ensemble Offspring's micro-festival revels in the sheer pleasure of new music.
The Australian composer discusses the upcoming world premiere of a work inspired by the elusive, nocturnal bird.
Collected symphonies, a Spanish “pianist’s pianist”, and another win for Respighi.
Sophie Hutchings, Kristian Chong and Luke Howard are among the artists performing at a brand new music festival, led by pianist and composer Nat Bartsch.
The enfant terrible of the Australian art scene is the subject of a new opera by Elena Kats-Chernin and Justin Fleming. They talk to Justine Nguyen about the challenges of translating this colourful, larger-than-life figure to the stage.
Healthway and Musica Viva have made it possible for students from Challis Community Primary School to continue their music education in secondary school.
Artistic Director of State Opera of South Australia, Stuart Maunder, talks about his new initiative, The Lost Operas of Oz, which sees the company stage three neglected Australian operas in 2019.
Diana Doherty shines in this program of early (and one not so early) concerti.
