Review: Charpentier: Histoires sacrées (Ensemble Correspondances, Sébastien Daucé)
Wondrous stories: Daucé brings Charpentier’s church tales to life.
Wondrous stories: Daucé brings Charpentier’s church tales to life.
Biss balances Beethoven: Eight down, one to go in the American pianist’s masterly set.
In the wake of the Notre Dame fire, Guy Noble ponders which institutions we take for granted and which are fire proof.
Ermonela Jaho talks about Anna Bolena, we learn the true story behind Come From Away, and Nico Muhly discusses his three Australian commissions.
WASO and Asher Fisch illuminate the Classical symphony.
Karah Son’s Butterfly soars in Graeme Murphy’s dizzying new bondage-inspired production.
The familiar pleasures of Sondheim’s masterpiece are refreshed by splendid performers and design.
A reflective Lang Lang marks his return to Australia with Mozart.
As Ermonela Jaho prepares to take on Donizetti’s Three Queens, beginning with Anna Bolena, Justine Nguyen talks to the soprano about the role’s challenges and delves into the origins of the trilogy.
The awards have renamed the Award for Distinguished Services to Australian Music in memory of the late music educator and conductor.
In the 2019-2020 seasons of 15 of the world’s top orchestras, only 3.6 percent of music was written by women, according to soprano Gabriella Di Laccio's DONNE, Women in Music project.
The Australian mezzo discusses the wide-ranging repertoire she'll be performing at this year's Australian Festival of Chamber Music.
Nicholas Carter couldn’t be happier with the way the ASO has nurtured and developed his career. But as he tells Jo Litson, with a new position in Austria, and other exciting international offers in his calendar, it’s time to put down the baton as Adelaide’s Principal Conductor.