Orlando di Lasso’s final work, written days before the composer’s death, captures the look Jesus gave Saint Peter at his betrayal. Director Peter Sellars and conductor Jenny Wong tell us about a bold staging for the Los Angeles Master Chorale.
Sharpen, who first heard the orchestra play at age seven, will begin a five year contract in 2019.
A world premiere by James Ledger demonstrates that he's a formidable composer for the string quartet.
The British conductor talks to us about Mozart in London, Limelight's Recording of the Month in September.
Wolfgang’s Boy’s own story: Maybe it’s because, for all of 15 months, Mozart was a Londoner.
Its newly announced season includes a new series intended to promote existing Australian opera.
Vote here for the artists you'd like to see honoured in our Australian and International Artists of the Year Awards.
Brian Howard’s opera is given an impressive revival in a suitably grungy new performance space.
Critics have applauded the soprano's touching assumption of Puccini's seamstress.
NAVA Executive Director Esther Anatolitis has called for the money, which was diverted to a ‘special project’ by the Arts Minister, to be returned to artists immediately.
Long fingers may not have been enough to equip the playwright for the life of a concert pianist, but thanks to the late Ken Tribe and a healthy dose of the ACO, he’s now a classical music true believer.
The venerable Borodins save the best till last, excelling in Shostakovich’s final quartet.
The Canadian baritone tells us about getting to grips with J Robert Oppenheimer in John Adams' Doctor Atomic, our Recording of the Month in October.
