Elgar's Dream is vividly brought to life.

A grand but moving celebration of Sheppard’s masterful music.

Impressive maturity in Cho’s Debussian dream album.

Playwright Jochen Sandig, whose imaginative staging of Brahms Requiem is coming to Adelaide, explains why this “human” Requiem is more relevant than ever.

Milas passes the Ysäye test amid shows of technical heroism.

In a duo situation, the pianist is invariably considered subservient, an accompanist supporting a soloist. Brieley Cutting begs to differ, suggesting that it could just be the other way around.

Fresh from winning 3MBS’s The Talent, the Australian violinist discusses her musical heroes, how she focuses on taking advantage of opportunities in the present, and what it means to be a good musician.

The sitar virtuoso studied with her father, the late, great Ravi Shankar, from age seven. She talks about the humanitarian inspiration for her album, which she plays live in Australia this month.

Hewitt dazzles again with second volume of Scarlatti sonatas.

Artistic Director Kathryn Stott has unveiled her first program for the Festival, with a swathe of new artists, premieres and plenty of old favourites.

Back to the future sees a postmodern take on polychoral.

Blowing the dust off the duet is a delight from start to finish.