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Chamber, Classical Music, Instrumental, Orchestral
news

Australian Chamber Orchestra bags a 400-year old cello

The new instrument, valued at $1.4 million, is an Amati and was played by the cellist Amaryllis Fleming.

May 5, 2017
Classical Music
features

Being a late-starter hasn’t deterred the talented Mr Northey

The in-demand Australian maestro talks about a life of the road and the importance of the message behind the music.

May 5, 2017
Classical Music, Orchestral
news

The orchestral training programme AISOI has been discontinued

The University of Tasmania’s Conservatorium cites a new focus behind the decision to axe the summer school.

May 5, 2017
Classical Music, Musical Theatre & Cabaret, Theatre
features

Nancye Hayes: “I’ve never been very ethereal as a dancer”

Now musical theatre royalty, Nancye Hayes reminisces about her first radiogram and why she’d never make a ballerina.

May 5, 2017
Classical Music, Opera
news

Glyndebourne launches international opera competition

The winner will get to appear in a production at one of the opera houses represented by those on the jury.

May 5, 2017
Classical Music, Orchestral
features

Academy of St Martin in the Fields nurtures young composers

Twins Jessica and Olivia Ellis brought their instruments and open minds to the orchestra's composition masterclass.

May 5, 2017
Classical Music, Orchestral
Live Review

Review: Spanish Baroque (Australian Brandenburg Orchestra, Circa)

A compelling physical spectacle with a rich soundtrack.

May 4, 2017
Classical Music, Dance, Musical Theatre & Cabaret, Theatre
news

Arts Centre Melbourne welcomes new government funding

The venue's CEO has applauded the Andrews Government’s $40 million investment for infrastructure upgrades.

May 4, 2017
Chamber, Classical Music
Live Review

Review: Half the Sky (Canberra International Music Festival)

A memorable and highly successful Promenade at the National Portrait Gallery.

May 4, 2017
Classical Music
news

Melbourne SO turns its financial fortunes around in 2016

New Managing Director Sophie Galaise is credited with returning the orchestra to surplus, despite the challenging times.

May 4, 2017
Classical Music
news

Jessica Aszodi gives the gramophone something new

The Australian vocalist’s album Prayer for Nil brings together four new works premiered in 2014.

May 3, 2017
Chamber, Classical Music
Live Review

Review: The Velvet Revolution (Canberra International Music Festival)

Fragmentation and a French quartet continue the revolution.

May 3, 2017
Classical Music, Instrumental
features

Angela Hewitt on the importance of being hands on

Ahead of her Australian tour, the Canadian pianist explains why communicating with audiences is vital.

May 2, 2017

Posts pagination

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