Can artists wake us from COVID apathy?
Michael Sollis asks if it is fair to expect artists to rise above their individual pain and turn their attention to creating works that address the broader societal challenges of the pandemic.
Michael Sollis asks if it is fair to expect artists to rise above their individual pain and turn their attention to creating works that address the broader societal challenges of the pandemic.
Stephen Page's breathtaking, final production as Bangarra AD, combines dance, spoken word and song, and takes the company into exciting new territory.
Veena virtuoso Hari Sivanesan and Melbourne Symphony Orchestra Artistic Advisor Matthew Hoy discuss an exciting concert featuring South Asian musicians and the MSO at Bunjil Place.
Adelaide Festival has announced Kath M Mainland as Chief Executive, while in December Lou Oppenheim was appointed as Executive Director of Sydney Dance Company.
The launch of dance collective Project Animo with five new works is exciting. Alice Topp's Patina is a real keeper but the program could be better curated.
Sydney Festival opened last night with a dazzling performance of Ohad Naharin's Decadance performed by Sydney Dance Company, while 80 protestors gathered outside.
A NSW cabinet reshuffle sees National's Ben Franklin take over the Arts portfolio as Harwin stands down.
Arts events planned for January face an uncertain Christmas with NSW reporting record COVID case numbers.
An invigorated Queensland Ballet ends the year on a high note of enthusiastic excellence.
Rachael Osborne, who teaches Ohad Naharin's Gaga method, and Sydney Dance Company AD Rafael Bonachela discuss Decadance, which SDC will perform at Sydney Festival in January.
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Our specialist writers analyse the arts on offer across the year.
Christopher Wheeldon uses Gershwin’s fascinating rhythms to reunite ballet and Broadway.