Dearth of women in artistic and leadership roles in dance, report shows
In an industry dominated by women, few are rising to prominent positions of power.
May 29, 2018
Review: Carmen & The Firebird (Queensland Ballet)
Liam Scarlett's version of The Firebird is ravishing, and vastly more compelling than Carlos Acosta's Carmen.
May 28, 2018
Review: ab [intra] (Sydney Dance Company)
A dazzling, electrifying work by Rafael Bonachela and his dancers that triggers all kinds of emotions.
May 16, 2018
An American in Paris: Leanne Cope’s extraordinary journey from corps to Broadway
The English dancer on turning triple threat, eight shows a week and tea with Leslie Caron.
May 15, 2018
Sydney Dance Company draws from within in ab [intra]
Rafael Bonachela uses music by Peteris Vasks and Nick Wales in his new work.
May 10, 2018
Snow White experiences a sexual awakening
It may be based on a fairytale, but Angelin Preljocaj’s steps are only for adults to dance.
May 4, 2018
Georgie Meagher on riding her final Next Wave
The outgoing Festival Director talks to Limelight about what's in store for this year's Next Wave festival.
May 3, 2018
Review: The Merry Widow (The Australian Ballet)
A light, fluffy and lovely ballet with some gorgeous, emotional pas de deux.
April 29, 2018
Review: Replica (Stephanie Lake Company)
A glimpse into the complexities that can shape the peculiar connection between two living organisms.
April 28, 2018
Review: Murphy (The Australian Ballet)
A very entertaining, richly deserved tribute to one of our national treasures.
April 7, 2018
Quiet by Nature: Up the creek with a paddle, and dancers
An unusual, immersive production at the Bleach* festival takes audiences on a moonlit kayaking trip.
April 4, 2018
Winner of the 2018 Keir Choreographic Award announced
Melanie Lane takes home the main Award, while Amrita Hepi wins Audience Choice.
March 19, 2018
QPAC announces another major ballet coup
Italy's famous Teatro alla Scala will make its Australian debut in Brisbane in November.
March 18, 2018