A new category of Foundation Events to be prioritised for three-year Strategic Investment Agreements and relaxed regulation.

Stepping in at the last minute due to Alfred-related cancellations, the ACO Collective had the wind at its back as it opened the 2025 OFCM.

Amelia Ryan and Libby O’Donovan celebrate the women who made it in the rock and pop music industry – and those who fell victim to it.

Theatre and opera director Matthew Lutton "thrilled" as he makes the leap from Melbourne's Malthouse to Adelaide Festival.

Bringing together 1,000 volunteers, Stephanie Lake’s one-off, site-specific happening is a hypnotic celebration of community and the joy of dance.

Taut and terrific, Simon Stone’s production of Kaija Saariaho’s final opera is a potent deep dive into what motivates an atrocity.

Dr Lou Bennett and Paul Stanhope’s song cycle about a repatriated baby girl's journey has a mesmerising Australian premiere.

Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.

Fresh musical breezes will blow through Blackheath when Lloyd Van’t Hoff and friends come to town.

In Larsen C, choreographer Christos Papadopolous reveals a creative impulse that is unique, visually intriguing and virtuosic.

Kronos Quartet's David Harrington talks to Limelight about his new Chamber Landscapes project for the Adelaide Festival, one that opens itself to all kinds of possibilities.

Ian Potter Foundation funding to be funnelled into expanding AFCM's regional reach and developing its programs for emerging and local musicians.