Bringing together 1,000 volunteers, Stephanie Lake’s one-off, site-specific happening is a hypnotic celebration of community and the joy of dance.
Taut and terrific, Simon Stone’s production of Kaija Saariaho’s final opera is a potent deep dive into what motivates an atrocity.
Dr Lou Bennett and Paul Stanhope’s song cycle about a repatriated baby girl's journey has a mesmerising Australian premiere.
Concerned with how we manage to live right now, A Quiet Language sends joyful shafts of light into the darkness.
Fresh musical breezes will blow through Blackheath when Lloyd Van’t Hoff and friends come to town.
In Larsen C, choreographer Christos Papadopolous reveals a creative impulse that is unique, visually intriguing and virtuosic.
Kronos Quartet's David Harrington talks to Limelight about his new Chamber Landscapes project for the Adelaide Festival, one that opens itself to all kinds of possibilities.
Ian Potter Foundation funding to be funnelled into expanding AFCM's regional reach and developing its programs for emerging and local musicians.
A powerfully staged reminder that, like everyone else, kings and gods struggle to deal with their own failings, weaknesses and desires.
Michael Collins, Carolyn Sampson, Emily Sun and the Australian String Quartet among this year's artists playing the Aussie tropics.
Immaculate work from a company of 12 but there may be less to The Chronicles than meets the eye.
Limelight takes a look into the nuts and bolts of The Cage Project and the making of a mesmerising sonic and visual experience for Sydney Festival.
It's Bach to the future as Madeleine Easton’s Akademie takes us on a journey to the stars.
