CD and Other Review

Review: Time Present and Time Past (Mahan Esfahani)

Following his critically acclaimed Rameau and CPE Bach on Hyperion, Mahan Esfahani steps out in style on DG Archiv with this concept album mixing Baroque with Minimalism. I was a little alarmed at his relentless drive through Scarlatti’s La Folia Variations, but the mania is held in check by rigour and discipline. Gorecki’s Harpsichord Concerto is a strangely disturbing piece with its first movement infuriatingly like a broken-record while the second, a baroque mash-up, evokes Jerry Lee Lewis in a powdered wig. Esfahani is in his element in CPE Bach’s La Folia romp and his double tracked version of Steve Reich’s Piano Phase is a tour de force; stunningly accurate with the harpsichord’s pin-point precision helping to delineate the pattern as it shifts in and out of phase. The programme concludes with a magnificent account of Bach’s BWV1052 Concerto performed with intensity and gravitas, as befits a work of abstract intellect allied to sensuous pleasure. Esfahani’s articulation and subtle timing is a wonder, uncovering details that often fly by in the rush. Concerto Köln fully supports his aesthetic with austere beauty of tone and focused rhythmic point. Their… Continue reading Get unlimited digital access from $4 per month Subscribe Already…

December 22, 2015
CD and Other Review

Review: Poulenc: Complete works for solo piano (Antony Gray)

Antony Gray’s set of the complete piano music of Francis Poulenc is, to paraphrase Orwell, more complete than others. Besides the many pieces written expressly for solo piano it contains Poulenc’s music accompanying the story of Barbar the Elephant (sans narration) and several transcriptions of other works including the Sonata for Two Clarinets, the Sonata for Horn, Trumpet and Trombone, and the ballet Les Animeaux Modèles. The latter was arranged by the composer, so it is more than a mere piano reduction for rehearsal purposes. There is also an arrangement of Mozart’s Musical Joke. Hence, five CDs as opposed to Pascal Rogé’s three. Gray has previously given us welcome surveys of piano music by Eugene Goossens and Malcolm Williamson, but here he enters a highly competitive field. Beginning with the composer himself (who recorded the Mouvements Perpétuels, the Two Novelettes and a selection of Nocturnes and Improvisations in the 1920s and 30s), many extensive selections of Poulenc’s piano music have appeared. Among French pianists are the composer’s friend and duo-piano partner Jacques Février, Gabriel Tacchino, Rogé, and more recently Éric Le Sage. Poulenc’s light touch is compelling;… Continue reading Get unlimited digital access from $4 per month Subscribe Already a…

December 22, 2015
features

Rising Star: Campbell Diamond

The 23-year-old guitarist from Canberra has just won one of Europe’s most prestigious prizes. We take a look at his future plans. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in

December 9, 2015