Sydney soprano Georgia Melville named the recipient of Australia's most valuable vocal scholarship.

Olivia Ansell's 2023 Sydney Festival declared "a resounding success" with festival attendance in excess of 420,000.

The big finish to Wagner's monumental Ring cycle is musically and dramatically strong, engaging and a feather in Melbourne Opera's cap.

Brad Cohen replaces a Helsinki-bound Thomas de Mallet Burgess as General Director of New Zealand Opera.

Dietrich Buxtehude's consideration of the body of Christ upon the cross is brilliantly performed by Pinchgut's gilt-edged ensemble.

The problem child third opera in Wagner’s Ring tetralogy, Siegfried is dominated by male voices but women save the day.

Pile 'em high, sell 'em cheap. Opera Australia makes way for the new by selling off the old to the public.

Soprano Eleanor Greenwood tops the 2023 Opera Awards, held for the first time since the beginning of the global pandemic.

Melbourne Opera’s Ring cycle hits its stride with an energising second instalment of Wagner’s tetralogy.

Melbourne Opera opened the first of its three full Ring cycles in Bendigo with a Das Rheingold packed with fine performances.

This compelling, heartfelt and provocative Madama Butterfly remains as relevant and powerful as when first staged in 2014.

Shostakovich’s satirical operetta about a Soviet housing crisis gets a funny, inventive modern Melbourne makeover.