Log in to read the PDF version of Limelight's January–February 2024 magazine.

Getting ready for your summer break? Why not make the bumper new edition of Limelight magazine a part of it?

Barrie Kosky brings his production of The Threepenny Opera to the Adelaide Festival. He talks about creating it with the Berliner Ensemble.

Ben Mingay was once a construction worker in Newcastle. Now, he’s about to make his Opera Australia debut.

After the success of Koolbardi wer Wardong, Gina Williams and Guy Ghouse have written a second (and maybe last) Noongar opera together.

This month’s concert highlights from ABC Classic, independent radio and streaming.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

The inventive director discusses staging Puccini’s one-act opera Il tabarro on board a ship for Sydney Festival.

Essential holiday listening includes gripping symphonies from a well-known pianist, Rattle’s Siegfried, Wilson’s Daphnis and Osborne’s latest Debussy.

Sophia Brous discusses her site-specific work The Invisible Opera, which explores the concept, dynamics and paradoxes of a public space.

What do our opera and dance companies have on offer in the year ahead?

Richard Mills’s new opera reaches for the stars, but they don’t quite align for the outgoing Victorian Opera Artistic Director