The independent dance production Petrushka, Black Swan State Theatre Company of WA and WA Opera take home the gongs.

"Risk is a part of the DNA of art," says Opera Queensland’s Artistic Director Patrick Nolan. His 2024 season embraces it.

When three Australians appear on the same bill at one of the world’s most prestigious opera houses, it’s an occasion worthy of celebration.

Spectacular dance from Brazil, a Puccini opera staged on a lightship and a mini-festival of engagements with JS Bach among the highlights of SF 2024.

“Old friends” top the bill at Ruth Mackenzie's inaugural festival, but the Artistic Director wants buy-in from the state’s youngest.

Five contemporary operas, a bigger Melbourne presence, more women conductors and directors – Jo Davies' inaugural season suggests a change of direction for OA.

Victorian Opera's first season under Artistic Director Stuart Maunder welcomes back old favourites from home and abroad and offers a world premiere work.

A new study shows Australian opera has a legacy of gender inequality. So what’s next? We talk to Opera Australia's Jo Davies and Lindy Hume.

We trace Handel’s journey to London and talk with Erin Helyard of Pinchgut Opera, which is about to stage its first Handel opera – Rinaldo.

Associate Director Nhlanhla Mahlangu and composer Kyle Shepherd discuss William Kentridge’s Olivier Award-winning Waiting for the Sibyl ahead of its Australian premiere.

Mozart heads up this month with Igor Levit and Víkingur Ólafsson hot on his heels. Vocal delights include Sarah Connolly’s Mahler and miraculous choral music by Stephen Hough.

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