Darwin Symphony Orchestra announces its 2019 season
The NT orchestra celebrates its 30th anniversary season with a gala concert featuring Mahler’s First Symphony and a brand new work by Lachlan Skipworth.
The NT orchestra celebrates its 30th anniversary season with a gala concert featuring Mahler’s First Symphony and a brand new work by Lachlan Skipworth.
Brett Dean's Hamlet on DVD, Stuart Skelton's debut recital album, and Pinchgut Opera are among the finalists.
The beleaguered telecommunications company has written the final two movements of the composer’s Eighth using a Mate 20 Pro smartphone.
Philippe Jordan offers more lean, agile Beethoven in the latest instalment of his symphony cycle with the Wiener Symphoniker.
Savall trips the Gallic light fantastic with a little Telemann thrown in.
Percy Grainger's wildly colourful The Warriors is the only long-form work by a composer best known for his miniatures. Conductor David Robertson and musicologist Malcolm Gillies help us get to the bottom of the Australian composer's attempt to 'do a Stravinsky'.
The Australian violist, who returns home to perform with the Australian World Orchestra this year, talks about her instrument, inspirations and starting a music series in an underground fortress-turned-dance club.
Outgoing Chief Conductor Lan Shui marks the milestone with an exciting night of music making.
Fresh from performing as soloist with the Australian World Orchestra on tour last year, the violinist tells us about the pleasures of good food and good company, as well as performing and teaching in India.
Limelight's 2018 Australian Artist of the Year: Critics' Choice talks about her artistic principles, the luxury of choice and taking on America in the seasons to come.
The winner of Limelight’s International Artist of the Year: People’s Choice reflects on her collaboration with Penderecki, quokka selfies and her plans to return to Australia with a new project.
The winner of Limelight’s Australian Artist of the Year: People’s Choice, conductor Benjamin Northey reflects on a busy year, the potential of film music concerts, and issues a call to arms on arts funding.
The best Bernstein since Lenny himself, and arguably even better.