In the 2019-2020 seasons of 15 of the world’s top orchestras, only 3.6 percent of music was written by women, according to soprano Gabriella Di Laccio's DONNE, Women in Music project.
Nicholas Carter couldn’t be happier with the way the ASO has nurtured and developed his career. But as he tells Jo Litson, with a new position in Austria, and other exciting international offers in his calendar, it’s time to put down the baton as Adelaide’s Principal Conductor.
Collected symphonies, a Spanish “pianist’s pianist”, and another win for Respighi.
Diana Doherty shines in this program of early (and one not so early) concerti.
Vadim Gluzman, Asher Fisch and WASO triumph in Tchaikovsky.
Oud virtuoso Joseph Tawadros delivers a vibrant, warm-hearted performance with the SSO.
More is more: Kirill Gerstein makes an eloquent case for the supersize.
The Russian-American pianist tells us about recording the Busoni Piano Concerto, Limelight's Recording of the Month in June.
The Ukrainian-born violinist’s Stradivarius was slated to give the world premiere of Tchaikovsky’s Concerto, but its former owner had other ideas.
An extended reflection on a fascinating sound world.
An accomplished start-up, and a pair of problematic masterpieces.
A teenage Clara Wieck shows her peers just how it’s done.
A significant step in Australia’s journey of reconciliation.
