Four years after filling in last-minute for Jaap van Zweden, the American conductor tells us about an early career that’s seen her gravitate from playing under Bernard Haitink to taking over his dressing room.
The Chinese pianist tells us about his special relationship with the music of Chopin, and how he gears up for a performance, ahead of concerts in Melbourne and Sydney.
Australian composer Jim Coyle tells us about the indefatigable Cornish preacher, who is the inspiration for his energetic new work for The Metropolitan Orchestra, Dancing with Billy Bray.
Roth finds charm and freshness galore in his HIP Ravel volume two.
Miguel Harth-Bedoya sheds new light on an old warhorse.
Brett Dean conjures a dramatic debate between philosophers in his final concert as SSO Artist in Residence.
The Tasmanian Symphony Orchestra celebrates its 70th birthday in high-octane style.
20th-century US symphonies in 21st-century Swedish sound.
Coppélia can be fun, but this one is lacking its proper lustre.
DG couples the opposite sides of a composer’s polemic.
A freewheeling line-up of guest conductors and concerto soloists will keep the orchestra on its toes in its year between Chiefs.
In her new oboe concerto for Celia Craig and the Adelaide Symphony Orchestra, Judith Weir looks at how 'the school oboe' shaped her career.
The October 2018 issue of Limelight Magazine is now on sale featuring Daniel Barenboim, Karina Canellakis, Teatro alla Scala Ballet Company, and much more.
