Review: Ferdinand Ries: Piano Concertos Nos 8 and 9 (Piers Lane)
Passion and sparkle aplenty from Beethoven’s most apt piano pupil.
Passion and sparkle aplenty from Beethoven’s most apt piano pupil.
Ehnes adds his splendid account to the ranks of the great.
Sydney Symphony Orchestra CEO Emma Dunch responds to a report showing that of 3,524 works performed by 15 of the world’s major orchestras, only 82 were written by women.
The Queen of the Violin delivers warm, brilliant performances with plenty of personality.
The British pianist is touring Australia, has two CDs on release and has written his first novel. As well as discussing the priesthood, he talks to Limelight about dreams, Debussy, Rachmaninov and rentboys.
If the music is good, does it really matter if it’s not real?
Collins makes sparks fly in these early clarinet showpieces.
Ahead of his upcoming ACO tour, the great British cellist discusses the challenges and the ideas behind one of the cornerstones of the repertoire: Shostakovich’s cinematic First Cello Concerto.
Two titans, poles apart, provide a satisfying way to celebrate Spoleto's end of the affair.
The Polish pianist, whose latest Mozart disc is Limelight's Recording of the Month in June, explains how each concerto tells a story.
Piotr’s heart of Mozart: Polish pianist plumbs the depths in a couple of Classical masterpieces.
Get your copy of Limelight Magazine's June 2018 edition featuring Anne-Sophie Mutter, Scott Rankin, Jessica Pratt and some of Australia's finest chamber ensembles.
German violinist Anne-Sophie Mutter talks about her mentor Karajan, climbing new music mountains, and stalking Daniil Trifonov.