Review: Review: The Environmental Symphony (MSO)
This touching tribute to composer Allan Zavod shares an important message in an easily accessible language.
This touching tribute to composer Allan Zavod shares an important message in an easily accessible language.
The revered German-born conductor has passed away aged 88. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The decision to discontinue the prestigious national award was made by the six CEOs of Australia’s major State orchestras. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Have yourself a merry little Christmas, and “Bah, humbug!” to Il Divo.
Limelight’s Recording of the Year heads a bumper edition to take you into 2016. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Jessica Gethin and Jennifer Condon reflect on their time at the Dallas Opera's ground-breaking initiative.
The Sydney Symphony’s new Assistant brings a bit of Aussie entrepreneurship to London. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
José Serebrier’s new Dvořák cycle ranks with Kubelík’s, Kertesz’s, and Rowicki’s sadly overshadowed but excellent set. For me, the last three symphonies are usually the least interesting and revealing – as here, where they’re perfectly OK but unremarkable (the third movement of the Eighth lacks the sinuous elegance of other readings). Where this cycle scores is in the performances of the neglected Second, Fifth and Sixth Symphonies and the generous addition of other major works such as the Legends, the delightful Scherzo Capriccioso, the masterful concert overture In Nature’s Realm and a selection of Slavonic Dances in radiant performances, the Bournemouth players in top form. No young composer was more prolix than Dvořák (one of his early string quartets lasts 70 minutes!), as demonstrated in the First Symphony, subtitled The Bells Of Zlonice where the youthful rhetoric runs unchecked. The three-movement Third and the Fourth (whose last movement always reminds me of a bizarrely titled song I heard as a child on the ABC Argonauts programme: “Dashing away with a smoothing iron, she stole my heart away”) are interesting, but the Second Symphony, long a favourite of mine, is more disciplined and Serebrier has its measure, making it a real……
We reveal ten truths that those who tread the career path of a composer will know all too well.
For the first time, we asked our readers to vote for their favourite artists. Combined with our critics’ votes, this is who you chose. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Messiaen’s masterwork goes for the lot: rocks, birds and throws in the song of the star Aldebaran for good measure. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The critics have spoken and the results are in. Here are Limelight's five top recordings of 2015.
The chart-topping king of the Viennese waltz boasts a global following of millions, but how does his latest record measure up? Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in