Review: Rachmaninov (Canberra Symphony Orchestra)
★★★★☆ CSO goes off the beaten track with an unusually interesting programme. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ CSO goes off the beaten track with an unusually interesting programme. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Australian Brandenburg Orchestra and countertenor Andreas Scholl feature in latest Bond installment. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
The Chinese virtuoso became lost during a performance with the Sydney Symphony Orchestra in Seoul, South Korea.
Devils and tritones and nuns! Oh my!
A magical take on the well-worn classic, while respecting tradition.
Turns out cooking a really good French meal is akin to performing classical music; you can’t fake either of them.
Vote for your favourite three in our inaugural Australian and International Artists of the Year Awards. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Here are our shortlists of the 25 albums of 2015 rated most highly by our critics. But which will come out on top?
★★★★½ Robertson’s ‘from the heart’ Mass returns to the heart indeed. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Pokémon: Symphonic Evolutions – the video game inspired event attracting new audiences to the concert hall. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
This programme has been cleverly crafted around the world premiere recording of Sir James MacMillan’s Oboe Concerto performed by its dedicatee Nicholas Daniel with the composer at the helm. It is a bold virtuosic work that should prove popular with both players and audiences. The breezy first movement, a bustling affair with the soloist goaded on to challenging passage-work by startling effects in the orchestra, contrasts starkly with the following Largo based on material from a earlier composition In Angustiis (a post-9/11 lament for solo oboe). It juxtaposes periods of keening sorrow with outbursts of rage, while stretching the expressive possibilities of the instrument just about as far as it can go. The Finale is forthright and playful, opening with a demented parody of serialist pretensions before veering off in unexpected poly-stylistic directions – although some of its jokes are a little too wacky for its own good. The disc opens with Vaughan William’s pastoral idyll with the soloist directing a performance that should serve as a top recommendation for this under-recorded gem. The Britten Sinfonia’s limpid strings conjure moments… Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Or why ousted Prime Minister Tony Abbott should have paid more attention to his Shakespeare.
Rush, Russell Beale, Salminen & Skovhus: four Lears on tackling Shakespeare’s tortured monarch. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in