Guy Noble’s Soapbox: A sparkling whine
Why do post-concert celebrations so often revolve around alcohol? asks Guy Noble, who is thinking of trading a glass of bubbly for an iced doughnut.
Why do post-concert celebrations so often revolve around alcohol? asks Guy Noble, who is thinking of trading a glass of bubbly for an iced doughnut.
The latest arts appointments and departures.
ARCO’s debut disc is a fitting, ebullient tribute to founder, Richard Gill.
Australian Brett Dean has received an award for his song cycle Madame ma bonne soeur, with Thomas Adès, Judith Weir and Rebecca Saunders also among the winners.
Paul Dean and Elliott Gyger have taken home this year's Paul Lowin Prizes, presented at a ceremony that also included the Peggy Glanville-Hicks Address.
Hugh Robertson, the Orchestra’s Editorial Manager and former Limelight Deputy Editor, reveals what he is most looking forward to next year.
Chauvin brings athleticism and beauty to six of Vivaldi’s best.
Composers Matthew Hindson and Novak Manojlovic discuss how growing up in Wollongong has shaped their music, and describe their new works, commissioned for WollCon's anniversary.
Fire and finesse in equal measure grace Hahn’s return from darkness to light.
Leah Curtis introduces her work Infinite Possibilities, which maps and illuminates new sound worlds, ahead of its world premiere by Canberra Symphony Orchestra.
An ample second helping of Gipps suggests the first was no flash in the pan.
The Orchestra celebrates its 75th anniversary with guest artists both new and returning, a number of works by Australian composers, and a new early-evening series.
Thrilling recording of new Japanese works and a 20th-century classic.