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Orchestral
CD and Other Review

Review: Žibuoklė Martinaitytė: Ex Tenebris Lux (Pavel Giunter, Rokas Vaitkevicius, Lithuanian Chamber Orchestra, Karolis Variakojis)

New York-based Lithuanian composer wows with new works for string orchestra.

July 19, 2022
Classical Music, Orchestral
Live Review

Review: Vasily Petrenko Conducts Elgar (Melbourne Symphony Orchestra)

The audience was grateful to watch such a remarkable maestro and the players clearly adore him.

July 16, 2022
Opera, Orchestral, Theatre
Live Review

Review: Tosca (West Australian Opera)

Though plagued by illness, West Australian Opera presented a compelling and sensitive performance of Puccini's epic thriller.

July 15, 2022
Classical Music, Orchestral
Live Review

Review: The Bachs (Australian Brandenburg Orchestra)

It’s a family affair as guest director Shunske Sato lays on a bacchanalia of Bachs.

July 15, 2022
Orchestral
CD and Other Review

Review: Camargo Guarnieri: Choros Vol. 2; Flor de Tremembé (São Paulo Symphony Orchestra, Roberto Tibiriçá)

Spicy Latin-flavoured concertos, warmly played.

July 15, 2022
Orchestral
CD and Other Review

Review: Schumann: The Complete Symphonies (Münchner Philharmoniker, Pablo Heras-Casado)

A Spaniard’s symphonic cycle gives Schumann sceptics something to think about.

July 12, 2022
Classical Music, Orchestral, Vocal & Choral
Live Review

Review: Messiah (Canberra Symphony Orchestra)

Hearing Handel's magnificent oratorio performed in mid-winter, rather than in the heat of an Australian Christmas, added to the magic.

July 9, 2022
Classical Music, Orchestral
features

In conversation with Vasily Petrenko

On the eve of his visit to Melbourne and Perth, the renowned UK-based conductor discusses the rise of music in UK schools and his hope of starting a Russian-Ukrainian orchestra when the conflict is over.

July 8, 2022
Classical Music, Opera, Orchestral, Vocal & Choral
news

New Nicole Car Prize announced

As the internationally acclaimed soprano winds up the Freelance Artist Relief Australia Fund, established when COVID hit, a new prize is announced, which will see her mentor the winner in Paris.

July 7, 2022
Chamber, Classical Music, Orchestral
Live Review

Review: Refractions (Omega Ensemble)

Charge your glasses for music that edges us to a more positive future.

July 7, 2022
Chamber, Classical Music, Instrumental, Jazz, Orchestral
features

Listen to the Australian Art Music playlist: July 2022

Cameron Lam explores Australian music written for brass instruments, from tubas and trombones, to double bell trumpets and a 19-century ophicleide.

July 7, 2022
Chamber, Classical Music, Orchestral
news

Finalists for the 2022 Freedman Classical Music Fellowship announced

The finalists for this year's coveted prize are harpist Emily Granger and violists Henry Justo and Katie Yap.

July 6, 2022
Orchestral
CD and Other Review

Review: Maurice Ravel: Complete Orchestral Works (SWR Radio Symphony Orchestra Stuttgart, Stéphane Denève)

Denève delivers a masterly and sympathetic survey of unruffled Ravel.

July 5, 2022

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