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Chamber, Classical Music, Instrumental, Orchestral, Stage, Theatre
features

My Music with Peter Evans

Bell Shakespeare’s Artistic Director tells us how he became involved with theatre after studying the flute, and why the musicality of the writing drew him to Shakespeare.

March 21, 2022
Chamber, Classical Music, Instrumental, Orchestral, Vocal & Choral
features

On the Record: What’s new on disc in April 2022

This month’s musical journey takes us from the choir stalls of Westminster Abbey to an eerily haunted music hall and winds up with a legendary blast from the past.

March 21, 2022
Chamber, Classical Music, Festivals, Opera, Orchestral, Vocal & Choral
features

Five Questions for Lindy Hume

The Creative Director of the Four Winds Festival tells us about her second and final program.

March 21, 2022
Classical Music, Orchestral
Live Review

Review: Tchaikovsky’s Pathétique (West Australian Symphony Orchestra)

A refined and controlled performance of Tchaikovsky's Sixth Symphony, alongside music by Mozart and Maria Grenfell.

March 19, 2022
Classical Music, Orchestral
news

Queensland Symphony Orchestra announces Young Instrumentalist Prize finalists

The seven young musicians will compete in the Finalists’ Recital on 24 March for the grand prize and the chance to work with the QSO throughout the year. 

March 18, 2022
Classical Music, Orchestral
CD and Other Review

Review: Jessye Norman sings Strauss: Five Songs & Salome (Jessye Norman, London Philharmonic Orchestra, Klaus Tennstedt)

Norman’s refulgent Salome is the icing on Tennstedt’s Straussian cake.

March 17, 2022
Classical Music, Orchestral, World
CD and Other Review

Review: Yeshi Dolma (Tenzin Choegyal, Camerata)

Tibet and Queensland unite in beautiful display of musical and cultural unity.

March 15, 2022
Classical Music, Orchestral
Live Review

Review: Asher Fisch Conducts The Rite of Spring (West Australian Symphony Orchestra)

In its latest concert, WASO delivered crowd-pleaser after crowd-pleaser, and gave each a masterful performance.

March 13, 2022
Classical Music, Orchestral
CD and Other Review

Review: Thomas Larcher: Symphony No 2 ‘kenotaph’, Die Nacht der Verlorenen (Andrè Schuen, Frankurt Radio Symphony Orchestra, Hannu Lintu)

Drowned refugees receive fitting and angry musical memorial.

March 11, 2022
Classical Music, Orchestral
Live Review

Review: Paradisum (Australian Brandenburg Orchestra)

This memorable performance of Fauré's Requiem offered balm for the soul in these bleak times.

March 6, 2022
Classical Music, Orchestral
Live Review

Review: Become Ocean (West Australian Symphony Orchestra, Perth Festival)

The program gave the combined orchestras of WASO and WAYO a unique opportunity to describe the sea in contemporary styles, as well as Britten's established depiction.

March 6, 2022
Classical Music, Orchestral
news

WASO announces 2022 Emerging Conductors

Emerging artists Alessandro Pittorino, Sara Duhig, Sarah Mills Menogue, Laurissa Brooke and Blake Houlahan will participate in the annual conductor development program.

March 4, 2022
Classical Music, Orchestral, Vocal & Choral
CD and Other Review

Review: Mahler: Symphony No 8 “Symphony of a Thousand” (London Philharmonic Orchestra & Choir, Vladimir Jurowski)

Jurowski’s live “Symphony of a Thousand” truly justifies the nickname.

March 4, 2022

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