My Music with Peter Evans
Bell Shakespeare’s Artistic Director tells us how he became involved with theatre after studying the flute, and why the musicality of the writing drew him to Shakespeare.
Bell Shakespeare’s Artistic Director tells us how he became involved with theatre after studying the flute, and why the musicality of the writing drew him to Shakespeare.
This month’s musical journey takes us from the choir stalls of Westminster Abbey to an eerily haunted music hall and winds up with a legendary blast from the past.
The Creative Director of the Four Winds Festival tells us about her second and final program.
A refined and controlled performance of Tchaikovsky's Sixth Symphony, alongside music by Mozart and Maria Grenfell.
The seven young musicians will compete in the Finalists’ Recital on 24 March for the grand prize and the chance to work with the QSO throughout the year.
Norman’s refulgent Salome is the icing on Tennstedt’s Straussian cake.
Tibet and Queensland unite in beautiful display of musical and cultural unity.
In its latest concert, WASO delivered crowd-pleaser after crowd-pleaser, and gave each a masterful performance.
Drowned refugees receive fitting and angry musical memorial.
This memorable performance of Fauré's Requiem offered balm for the soul in these bleak times.
The program gave the combined orchestras of WASO and WAYO a unique opportunity to describe the sea in contemporary styles, as well as Britten's established depiction.
Emerging artists Alessandro Pittorino, Sara Duhig, Sarah Mills Menogue, Laurissa Brooke and Blake Houlahan will participate in the annual conductor development program.
Jurowski’s live “Symphony of a Thousand” truly justifies the nickname.