Honouring its 40-year legacy with a phantastic new Phantom at the helm, this spectacular outdoor staging of Lloyd Webber’s megamusical is unmissable.

A brilliant adaptation turns Miles Franklin's classic into a world-class musical without compromising its feminist essence or Australian identity.

This production, staged in a large and wholly unsympathetic venue, struggles to find the play’s heartbeat.

Bette & Joan doesn't pierce the surface of its Hollywood star subjects but this production does polish it to a high sheen.

Melanie Tait named the recipient of the award established in 2024 to support mid-career writers.

A fascinating historical tale of escape and derring-do but this detailed retelling risks becoming as confusing as the final chapter of Mission: Impossible.

Less is more in Suzanne Chaundy’s new production of a play about the Port Arthur massacre’s aftermath.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.

The editors of Limelight share their selection of the most exciting classical music, opera and theatre events coming soon.

From Mahler’s audacious First Symphony to site-specific bells and Sting's working-class roots, April’s issue explores music, place and identity.

Benjamin Law's mainstage debut unpacks family dynamics and the complex psychology of hoarding.

Beetlejuice, Victorian Opera's Katya Kabanova and MTC's Rebecca among the award magnets in this year's celebration of Melbourne’s live performance sector.