Review: Tartuffe (Raus & bAKEHOUSE Theatre)
Moliere's tale of fraud and gullibility gets a distinctly modern twist, though the comedy could use more air.
Moliere's tale of fraud and gullibility gets a distinctly modern twist, though the comedy could use more air.
Bron Batten’s provocative exploration of love, war and left-wing values is compelling, if not always clear.
QTC’s second season under Daniel Evans spans Homer, Shakespeare, Miss Fisher, Sondheim and contemporary Australian theatre.
Spanning psychological drama to high-energy comedy, Black Swan presents four works by Western Australian writers and two international hits.
The human hand takes centre stage in a Limelight issue devoted to imagination, craft, rediscovery and reinvention.
Sydney's youth arts crucible aims to raise $50,000 to support its pay-what-you-can programs and scholarships.
Fundamentally ambivalent, progressively mortifying, The Unfriend holds up a winking funhouse mirror to these divided, truth-troubled times.
Renowned Australian playwright Tom Holloway tackles AI with past-is-present insights that can’t fail to resonate.
An underdeveloped play but a fun, light watch, with ample laughs and a cast with great chemistry.
Artistic Director Dean Bryant's 2027 season is all about "artists taking on big questions with humour and nerve".
A Greek classic reimagined, an Australian classic reborn and a sequel to a STCSA hit in a season designed to get people talking.
Music, theatre and animation converge to tell the story of two remarkable Australian naturalists.
Julie Andrews' recreation of the legendary 1956 Broadway production is back and it's mostly "abso-bloomin'-lutely loverly".