The August 2018 issue of Limelight Magazine features the thrilling ride to international Wagnerian glory of Australian Heldentenor Stuart Skelton.

Stuart Skelton, STC's The Harp in the South, Carl Vine, Dame Joan Hammond, and orchestras on the fringe who are thriving.

The CAAP Directors Initiative unites three state theatre companies to discover the next generation of Asian Australian directors.

H Lawrence Sumner’s latest play brims with life in this world premiere directed by Neil Armfield.

Ferocity and vulnerability are beautifully balanced in this premiere by Claire Christian.

Relentless performances in this Australian premiere will leave you crying with laughter.

Shelagh Delaney's debut play remains just as vivid and perceptive as ever.

Jonathan Holloway's line-up includes 16th-century polyphony, virtual reality crossed with live performance, a dance-opera, and toy plastic pianos.

It does a lot with very little, but this stripped-back touring production doesn’t always transmit the power of Shakespeare’s play.

This take on Wilde’s play is not quite ideal, but just-right performances and beautiful costumes make it a comic delight.

Bangarra's Bennelong leads the pack, with Muriel's Wedding, Beautiful: The Carole King Musical and Brett Dean's Hamlet close behind.

Queensland Theatre and Malthouse Theatre bring Osamah Sami’s absurd and affectionate memoir to Brisbane audiences.