Producers cite soaring costs, soft ticket sales and economic pressures as the big-budget show prepares to close at the Sydney Lyric Theatre in January 2026.

A flair for programming and "commercial nous" secures Harry Prouse an influential role at SOH.

La Boite's vision spans ancient Greece to a future Mars ... and zombies.

Scaled up for big rooms, Sarah Goodes’ production reveals the operatic peaks and precipices of Edward Albee's masterpiece.

Melbourne Theatre Company streamlines leadership structure to navigate “an increasingly dynamic and complex operating environment”.

Limelight closes out the year in grand style, with stories of creativity and resilience lighting up our December issue.

Lovecraftian puppets and pirates clash with sci-fi sensibilities and pulp-radio-drama stylings in this absurd new show.

Drawing on a deep reservoir of sadness and anger, So Young is a finely tuned study in discomfort.

Eddie Perfect and Dean Bryant deliver a dazzling, irreverent celebration of Australian showbiz history.

Fabulous performances and sumptuous staging; it's a swipe right for Laura Murphy's TikTokky take on Shakespeare's A Midsummer Night’s Dream.

From Symphony under the Stars to a roller derby, Sydney Festival’s 2026 program blends celebration and renewal to build “a playground of imagination”.

This one-woman show puts one of Australia’s most overlooked Modernist artists in the spotlight. But in seeking Joy, does it lose her?