Elena Kats-Chernin and her new movie score; the origins story of Peter Pan, and a farewell to the show that's skewered Aussie politics for 25 years. October is a big issue.

Outstanding performances and design rescue this fairy tale hodgepodge from the deep, dark woods.

Belvoir's Artistic Director Eamon Flack walks us through Season 2025, from "no -brainers" to "the biggest story on the planet right now".

The West Australian reprise of Lucy Kirkwood's Fukushima-inspired drama squanders its potential in a production that never seems to settle.

That Gary Owen's scathing monologue has grown in relevance 10 years since it premiered only adds to its ultimate tragedy.

Some of the best if not-so-well-known local theatre talent deliver a minimalist production of Shakespeare’s tragedy to maximum effect.

Well-argued, compiled, arranged and delivered, Peter Evans' Shakespeare lecture often feels like something with a theatrical pulse.

Australian classics reimagined; Joanna Murray-Smith returns to Patricia Highsmith; two recent Melbourne hits included in the calendar.

Think you know what it means to be passionate? You’ve obviously never met a Horse Girl.

A playwright of remarkable wit, insight, and irreverence, Hibberd was a central figure in the Australian cultural renaissance of the 1970s.

New South Wales’ largest independent arts festival kicks off this week.

"Powerful move": Drandic promoted to foreground First Nations storytelling and forge pathways for First Nations artists.