It's been a long time between drinks for Sergeant Snow White, a musical revue created by WWII internees.

That's right, a second production of Samuel D Hunter's eloquent two-hander and this one darker than the Sydney version.

The President is among the most accessible of Thomas Bernhard's plays, but don't expect an easy ride.

An expertly calibrated staging of Samuel D. Hunter's play that hooks you from the get-go and gently reels you in.

Australia's Sarah Snook rewarded for her 26-character turn in Sydney Theatre Company's international stage hit The Picture of Dorian Gray.

For the Love of Paper unfolds with flashes of humour and palpable warmth, but this production has some rookie issues.

The “merry month” in the northern hemisphere, May is a “busy month” here in Australia. The upcoming edition of Limelight is proof of it.

MTC, Melbourne Opera, Richard Mills and Kinky Boots among the companies, artists and shows recognised in a marathon Green Room Awards ceremony.

Patrick Marber's landmark drama still has the power to shove a new generation of audiences out of their comfort zone.

Angus Cerini’s latest is a jewel of a play: sparely written, expertly polished and, for its 90 minutes, completely engrossing.

In the wake of his international success with The Picture of Dorian Gray, Kip Williams leaves the STC after 13 years with the company.

Limelight talks to director Sarah Giles about the return of a COVID-cancelled comedy that speaks to the moment more loudly than before.