Review: Are we not drawn onward to new erA (Ontroerend Goed/Sydney Festival)
Ontroerend Goed's palindromic performance suggests that Paradise can be regained – but it will take more than a reversal of the damage already done.
Ontroerend Goed's palindromic performance suggests that Paradise can be regained – but it will take more than a reversal of the damage already done.
In its valiant attempt to bring a much-loved novel to life, Tiddas also reveals the challenges inherent in translating books to the stage.
Actor and director Guy Simon to create a new work as a resident artist at Belvoir in 2024/25.
Irish writer John Breen's Alone It Stands, the story of an unlikely victory on the rugby field, is about to kick off at Sydney's Ensemble Theatre.
A crack cast of women animates the little known story of the women telephonists co-opted into the US war effort in 1917.
Struggling to find the right form to tell its story, this cabaret-vaudeville about Nellie Small leaves us wondering who she was and why they sent for her.
A cast of rising stars and veteran talents deliver an entertaining, sometimes inspired new production of this nostalgic, feel-good musical.
Australia’s most internationally acclaimed theatre company returns with a workplace parable that asks difficult questions.
Bananaland has a strong message, powerful moments, a sensational central performance – and room for development.
This is the perfect variety show for audiences wanting a sexy, fun night out on a summer's evening.
Australian Haydn Ensemble, Omega and The Song Company among organisations securing annual state government support.
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There’s a confidence and assurance at play in the programming by Australian arts organisations for 2024.