The 15-play season, 11 by Australian writers, includes a 'cine-theatre' staging of Dracula, a co-pro with Dublin's Gate Theatre, and a new production of the musical Dear Evan Hansen.

Australian works are "front and centre" in Melbourne Theatre Company’s 12-play 2024 season, says Anne-Louise Sarks.

This month's features explore OA's new 'Digital Ring', the stage adaptation of The Dictionary of Lost Words, Mahler's Ninth, and Sir Eugene Goossens' push for the SOH.

Despite moments of promise and some standout performances, this production doesn't quite deliver.

Sarah Giles' decadent production features some wonderful performances and a set design that cleverly shifts perspective.

Gale Edwards' production of Ionesco's absurdist tour de force, starring Paul Capsis and iOTA, is brilliant, thought-provoking theatre.

Anthony LaPaglia stars in Neil Armfield’s outstanding new production of Arthur Miller’s timeless tragedy.

Twenty years since its premiere, Wicked still has plenty to say and with two "thrillifying" performances in the starring roles, fans will be in their element.

Despite some clever, very funny moments, the new Australian musical about the country’s biggest political crisis doesn’t quite hit the mark.

The stellar actor will moderate a panel discussion about the impact of war and dictatorship on the children of Ukraine and Belarus.

This rich portrait of a marriage in which one of the people is transitioning, asks if love is really unconditional.

"I love a ridiculous undertaking," says Artistic Director Eamon Flack of Belvoir's 10-play campaign for 2024.