Review: The Marvellous Elephant Man The Musical (Guy Masterson and Floating World Entertainment)
Sincere and irreverent, this new musical transforms an enduring symbol of suffering into one of hope – and never lets the facts get in the way.
Sincere and irreverent, this new musical transforms an enduring symbol of suffering into one of hope – and never lets the facts get in the way.
Roald Dahl’s story of a crafty fox outwitting a trio of grasping farmers gets the high-tech treatment from Brisbane's Shake & Stir.
Sydney actor Abigail Adriano makes her mainstage lead debut in the upcoming production of Boublil and Schönberg’s musical.
Written when Shakespeare was on a roll, As You Like It is the play that keeps on giving. And director Damien Ryan should know.
From Wendy Carlos to Sergei Rachmaninov, the Moog synth to the Renaissance cornetto, the latest edition of Limelight has something for you.
Theatre goers will be saddened to learn of the death of actor, director and Irish drama champion Maeliosa Stafford.
Driftwood, the feel-good Australian musical with a profound message, is revived and touring. Next stop New York City?
It might be called Julia, but what Joanna Murray-Smith’s play has its sights on all the time is The Speech.
Producer John Frost has announced the "electrifying new leading ladies" who will play Elphaba and Glinda in Wicked.
Lawyer and playwright Suzie Miller's one-woman legal drama Prima Facie awarded the UK's top theatre gong ahead of its New York season.
Fences might strike some as old-fashioned. But this production’s power to immerse you in the lives of others is undeniable.
The authors of a new report take a pulse check of the theatre sector's response to climate change and ecological sustainability.
The honour of being the first show in a new venue goes to the gritty Cherry Smoke, a play that feels out of step with the times.