My Music: Claire Spencer
The Chief Executive Officer of Arts Centre Melbourne reflects on singing in church as a child, favourite concerts, and music that has kept her sane during lockdown, from Bach’s Goldberg Variations to Hamilton.
The Chief Executive Officer of Arts Centre Melbourne reflects on singing in church as a child, favourite concerts, and music that has kept her sane during lockdown, from Bach’s Goldberg Variations to Hamilton.
Catch up on what's been in the Limelight with the top arts stories to recently make headlines.
The first Australian-produced musical to premiere on Broadway is up for 14 awards including Best Musical, in a depleted field of nominations due to the coronavirus shut-down.
We are delighted at the positive response to our new-look publication, and excited to reveal what you will find in the November issue, now at the printer.
The semi-finalists represent 21 different cultural backgrounds. The Top 6 will share prize money raised from a GoFundMe campaign with over $27,000 already donated.
The Morrison Government has thumbed its nose at Australia’s arts and creative industries, while its support package announced in June has yet to come to fruition for any arts organisation.
Mark Rogers' award-winning Superheroes is a play that spirals its way under your skin.
Arts figures have joined the campaign to stop Monash closing the school at the end of the year, while a proposed scrapping of musicology units has drawn international condemnation.
Pippin is the first big musical to return to the Australian stage post-COVID. How are the producers and venue managers making it happen, and what safety protocols do they have in place?
Funded by the venue's donors, partners and contractors, New Work Now will commission a broad range of work from companies including Sydney Chamber Opera and the Indigenous World Art Orchestra.
Angus Cerini’s new play about an unsolved double murder, is atmospherically staged and brilliantly performed by Hugo Weaving and Wayne Blair.
Featuring music and lyrics by Makan, the song is performed by 101 CALD and BIPoC artists, and is a call to arms for better representation on stage and screen.
Peter Evans discusses the company's new series of debates, its podcasts Speak the Speech, and the likely return of the Prince of Denmark next year.