The Bard’s most concise and violent tragedy gets a softly-softly reading in this production starring Hazem Shammas.

Strap yourself in. La Boite Theatre's new Artistic Director Courtney Stewart promises to take audiences "to places they’ve never been".

Two very different productions of Sondheim's fairy-tale musical are about to open in Australia, one in Sydney, one in Perth. We speak to the directors.

For students studying The Crucible at any level, this recording of Lyndsey Turner's London production is an excellent resource.

The Event Centre at The Star will be reconfigured into a pair of major theatre and events venues, significantly boosting Sydney's capacity to host major productions.

Equations of a Falling Body is a fine addition to Laura Boynes’ evolving oeuvre and a promise of further gems to come.

Two terrific central performances in Gentlemen Prefer Blondes lift a production that mostly struggles to find its rhythm.

Walsh Bay Arts Precinct Manager Sally Noonan to head Melbourne Theatre Company and bolster its post-Covid recovery.

95 recipients have received a combined amount of $6 million from Create NSW, with an emphasis on the regional expansion and development of the arts.

CAMP is a window on to a world many of its younger audience would find hard to recognise let alone accept.

Maeve Marsden's debut play Blessed Union is a scorchingly funny, deeply empathetic and politically attuned WorldPride must-see.

Choir Boy is a joyous celebration of vulnerability, a heartwarming reflection of how far we have come – and how far there is to go.