Review: The Mirror (Gravity & Other Myths)
The ooh-ah factor is sky-high even if the show’s conceptual underpinnings of The Mirror don’t last the distance.
The ooh-ah factor is sky-high even if the show’s conceptual underpinnings of The Mirror don’t last the distance.
This month we interview Sir Simon Rattle, violinist Jennifer Koh and Àlex Ollé of La Fura dels Baus, and look at the importance of breath control for musicians.
The worst five-a-side team in Hull star in Tom Wells' Jumpers for Goalposts, a charming queer comedy about community and self-acceptance.
A suitably minimalist Australian premiere for the creator of Rent’s humble autobiographical show.
The Matilda Awards, Queensland’s premier awards for the performing arts, announces nominees and goes gender neutral in acting categories.
Inspired by the knotty interpersonal relationships of 19th century literary notables, Darkness is a dark and stormy night tale with a twist.
David Williamson's Family Values is great conversation starter, but too many ideas cloud the social commentary.
Melanie Tait's new play offers pithy insights into workplace misogyny and the off-mike culture of talkback radio.
UK playwright Sabrina Mahfouz’s monologue Chef had its Sydney premiere on this stage a year ago. Second helpings are very much in order.
Lewis Treston’s sparkling, OTT, queer rom-com Hubris & Humiliation is a perfect piece of programming for WorldPride.
Hobart's Dark Mofo to present "the most incredibly wild theatre performance" in its 10-year history.
History repeats as Belvoir tops a Sydney Theatre Awards ceremony celebrating a year in which normal service resumed.
Melbourne Theatre Company's Sunday is a brilliantly realised ode to some of the most important figures in modern Australian art.