Review: One Voice (Adelaide Chamber Singers)
In a land where grim reapers are only too happy to cut down artistic tall poppies, it is marvellous to see Adelaide Chamber Singers flourishing.
In a land where grim reapers are only too happy to cut down artistic tall poppies, it is marvellous to see Adelaide Chamber Singers flourishing.
A three-part polyphonic soothing of the soul for Easter. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
People talk about music changing the course of history, but what events have changed the course of music?
We investigate the what, why and how of classical music’s greatest growth industry. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Antonio Caldara, born in Venice in 1670, became vice-Kapellmeister at the Viennese Hofkapelle in 1716 remaining until his death in 1736. There he had a fine ensemble of musicians and this recital showcases some of the more unusual instruments he had at his disposal including the salterio – a large hammered dulcimer. Valer Sabadus, one of the five star countertenors on Virgin’s lauded recording of Vinci’s Artaserse, performs a brace of arias from opera and serenati. His bright bell-like tone and effortless fiorature is startling from the get-go and his accompanists play with gusto. Sample track five Ahi! Come quella un tempo città, where a plethora of plucked instruments is a sheer delight with the state-of-the-art recording capturing every nuance from thrumming bass notes to glittering treble. Ditto the following Ah se toccasse a me with a pair of lutes duetting in call and response. Questo è il prato pairs haunting flute and chalumeau – a primitive ancestor of the clarinet with a peculiar rustic sound of its own. Lute aficionados will enjoy this disc as Caldara wrote for the great Francesco Bartolomeo Conti, and Michael Dücker (who leads the ensemble) is a thoughtful player. Cellist Ulrike… Continue reading Get…
How a childhood obsession with Mozart and his Requiem still speaks to me today. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
★★★★☆ Richard Gill opens medieval windows on the sacred and profane. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Why WASO’s Chief Conductor can’t wait to get his hands on a chorus of Jews. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
Robert King explains how Handel got a 19th-centuy makeover care of Mendelssohn. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
UK study finds that choristers feel warmer about their teams than footballers. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in
A handful of Limelight critics are spoiled for choice picking their favourite recordings.
Throughout history there have always been, and there will always be, women composers.
Ahead of his Australian performances with Concerto Italiano, we ask the harpsichordist about his Italian leanings. Continue reading Get unlimited digital access from $4 per month Subscribe Already a subscriber? Log in