Review: Dvořák: String Quartet No 12, Piano Quintet (Alexander String Quartet, Joyce Yang)
Buy one irresistible Dvořák favourite, and get another one free.
January 20, 2020
Review: Trio Through Time (Seraphim Trio)
Time travelling Seraphims go on a musical odyssey by threes.
January 20, 2020
Review: Mozart: Complete Piano Trios (Barenboim, Barenboim, Soltani)
Two Barenboims and a mate run the gamut of emotions.
January 20, 2020
Review: Riley: Sun Rings (Kronos Quartet)
Collaborators from way back realise their magnum opus.
January 13, 2020
Review: Her Voice (Neave Trio)
Three women, three styles, three winners.
January 13, 2020
Review: Beethoven: Complete Symphonies (Vienna Philharmonic/Andris Nelsons)
Andris Nelsons’ new Viennese Beethoven box blows hot and cold.
January 13, 2020
Review: Haydn • Mozart Symphonies (Australian Chamber Orchestra/Richard Tognetti)
ACO takes on a pair of classical giants in exciting live recordings.
January 13, 2020
Review: Bruckner: Symphony No 9 (Pittsburg SO/Manfred Honeck)
Honeck and his Pittsburgers arrive safely at Heaven’s Gate.
January 13, 2020
Review: Derek Bermel: Migrations (Derek Bermel, Juilliard Jazz Ensemble, Albany Symphony/Miller)
Derek Bermel blends bossa nova, Bartók, and all that jazz.
January 13, 2020
Review: John Williams: Across The Stars (Mutter, The Recording Arts Orchestra of Los Angeles/Williams)
Hooray for Hollywood – Mutter and Williams deliver a box of chocs for movie lovers.
January 6, 2020
Review: Handel’s Queens (London Early Opera/Bridget Cunningham)
A pair of Baroque rock stars make a welcome return to centre stage.
January 6, 2020
Review: Casella: La Donna Serpente (Teatro Regio Torino/Noseda)
A Casella rarity proves one of opera’s slipperier customers.
January 6, 2020
Review: Goldschmidt: Beatrice Cenci (Bregenz Festival/Johannes Debus)
Bregenz Festival’s bloodthirsty bucket brings up operatic gold.
January 6, 2020