Review: Suite Italienne (Francesca Dego, Francesca Leonardi)
Dusted off delights exposed to a dose of warm Italian sunlight.
March 26, 2019
Review: Telemann: Essercizii Musici (Florilegium)
A welcome exercise regime.
March 26, 2019
Review: Mahler: Symphony No 6 (Berlin Philharmonic/Sir Simon Rattle)
Fascinating issue reveals Rattle’s first and latest thoughts on Mahler.
March 26, 2019
Review: Antonio Vivaldi (Cecilia Bartoli)
Bartoli’s back with a new tribute to the Red Priest.
March 20, 2019
Review: Bach Concertos (Slava & Leonard Grigoryan, Adelaide SO/Benjamin Northey)
The Grigoryan brothers get comfortable with JS Bach.
March 18, 2019
Review: Haydn: Symphonies Vol 24 (Heidelberger Sinfoniker/Spillner)
Endless inspiration from out of the Habsburg Boondocks.
March 18, 2019
Review: Copland: Orchestral Works Volume 4 (BBC Philharmonic/John Wilson)
British forces set a new benchmark in Americana.
March 18, 2019
Review: Mahler: Symphony No 6 (MusicAeterna/Teodor Currentzis)
Currentzis maxes out Mahler though with mixed results.
March 18, 2019
Review: Soundscape (Capella de la Torre/Katharina Bäuml)
Music from the time of Leonardo performed with plenty of genius.
March 18, 2019
Review: Impermanence (Lorelei Ensemble/Beth Willer)
Music illuminates how migration shapes the human experience.
March 18, 2019
Review: Mahler: Das Lied von der Erde (Kozena, Skelton, Bavarian RSO/Rattle)
Mr and Mrs Rattle invite Skelton to sing of the earth.
March 14, 2019
Review: Richard Rodney Bennett: Choral music (Royal Birmingham Conservatoire Chamber Choir/Spicer)
Discover Bennett’s choral music in excellent performances.
March 14, 2019
Review: Rossini: Stabat Mater (Howard Arman)
Stabat Mater has more German efficiency than Latin pathos.
March 14, 2019