Review: Love is Come Again (Monteverdi Choir, English Baroque Soloists/Gardiner)
Gardiner’s Easters in rural England here lovingly evoked.
July 30, 2019
Review: Songs of Renewal (Bath Camerata/Benjamin Goodson)
New music for a new era from one of the UK’s finest choirs.
July 30, 2019
Review: If (Iestyn Davies, Fretwork)
Musical worlds collide fruitfully in Iestyn Davies’ latest recital.
July 30, 2019
Review: Telemann: Michaelis-Oratorium (Kölner Akademie/Michael Alexander Willens)
Late Telemann showcases rebuilt Baroque splendour.
July 30, 2019
Review: Schumann: Liederkreis, Kernerlieder (Matthias Goerne, Leif Ove Andsnes)
Head and heart: Goerne and Andsnes mix drama and poetry.
July 30, 2019
Review: Piano Book (Lang Lang)
In the right hands, even Twinkle Twinkle can shine again.
July 30, 2019
Review: John McCabe: Organ works (Tom Winpenny)
Fine performances, not without some whimsy.
July 22, 2019
Review: The Guitar (Rupert Boyd)
Fine playing from an Australian guitarist in New York.
July 22, 2019
Review: Rathaus: Piano Works Volume 1 (Daniel Wnukowski)
Early piano musings from a neglected symphonist.
July 22, 2019
Review: Schubert: Sonatas & Impromptus (Sir András Schiff)
Schiff reborn guarantees revelations aplenty.
July 22, 2019
Review: Grace Williams: Chamber Music (London Chamber Ensemble)
Welsh rare bits of chamber music make for an appetising discovery.
July 22, 2019
Review: Speak, Be Silent (Riot Ensemble)
New music from Riot Ensemble puts Yorkshire on the map.
July 22, 2019
Review: Alwyn, Carwithen: Music For String Quartet (Tippett Quartet)
A teacher and his wife-cum-pupil speak in similar voices.
July 15, 2019